Artists & Guests

Bruce Dickey

(USA/Italy)

Bruce Dickey is one of a handful of musicians worldwide who have dedicated themselves to reviving the cornetto – once an instrument of great virtuosi, but which lamentably fell into disuse in the 19th century. The revival began in the 1950s, but it was largely Bruce Dickey, who, from the late 1970s, created a new renaissance of the instrument, allowing the agility and expressive power of the cornetto to be heard once again. His many students, over 40 years of teaching at the Schola Cantorum Basiliensis, have helped to consolidate and elevate the status of this once forgotten instrument.

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Christine Chapman

(USA/Germany)

Christine Chapman has followed many paths of artistic development, from intense chamber music through major orchestra repertoire as principal horn in high profile European orchestras, to numerous performances and recordings with radio big bands and smaller jazz combos, all leading her to her present passion — contemporary music and art performance.

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Damir Bačikin
(Serbia/Germany)

Damir Bačikinis one of the most versatile trumpeters in German new music, modern jazz and classical orchestral stages, who won first prize twice at the national trumpet competition in Belgrade, Serbia. After graduating with the highest score from the Academy of Arts in Novi Sad, he moved to Berlin in 2005, where he studied in the trumpet class of Prof. William Forman at the Music Conservatory of the HfM Hanns Eisler.

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Edivaldo Ernesto
(Mozambique/Germany)

Edivaldo Ernesto began to dance in 1997 with the Tsemba dance group, where he learned Mozambican traditional dance for 4 years. In 2001, he was invited to be a member of Ussoforal, a western African traditional dance group. In 2003, he founded Escultutras Humanas, a company where he began contemporary dance. That same year, he was accepted for a choreographic development project, a six months training program organized by CulturArte (Maputo-Mozambique) and Dancas Na Cidades (Lisbon-Portugal).

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Folkwang chamber orchestra
(Germany)

Energetic concerts, inquisitive programs and musical excellence have been the hallmarks of the Folkwang Chamber Orchestra Essen for over 60 years. In recent years, the international ensemble of young musicians has earned a name for itself as an innovative chamber orchestra that explores boundaries anew and, as a musical laboratory, experiments with concert forms, genres and styles with great success.

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George E. Lewis
(USA)

George Lewis is the Edwin H. Case Professor of American Music at Columbia University, where he serves as Area Chair in Composition and Faculty in Historical Musicology. A Fellow of the American Academy of Arts and Sciences, the American Academy of Arts and Letters, and a Corresponding Fellow of the British Academy, Lewis’s other honors include a MacArthur Fellowship (2002) and a Guggenheim Fellowship (2015), a Doris Duke Artist Award (2019), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts.

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Hana Blažíková
(Czech Republic)

She was born in Prague. As a child she sung in a children choir Radost Praha and she played violin. Later she turned to solo singing, graduating in 2002 from the Prague Conservatory in the class of Jiří Kotouč. Later she undertook further study with Poppy Holden, Peter Kooij, Monika Mauch and Howard Crook.Today Hana has achieved high acclaim as a leading specialist in the interpretation of baroque, rennaisance and medieval music, performing with ensembles and orchestras around the world, including the Collegium Vocale Gent, Bach Collegium Japan, Sette Voci, the Amsterdam Baroque Orchestra, L’Arpeggiata, Gli Angeli Geneve, La Fenice, Nederlandse Bachvereniging, Tafelmusik, Collegium 1704, Collegium Marianum, Musica Florea, L’Armonia Sonora among others.

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Johannes Klumpp
(Germany)

Orchestra leader, music mediator, festival director – since his competition successes as a young talent on the podium, Johannes Klumpp has made a name for himself in many ways. The conductor, who was born in Stuttgart in 1980 and, in addition to studying viola, learned his craft under Prof. Nicolás Pasquet and Prof. Gunter Kahlert in Weimar, first attracted international attention in 2007 with a 2nd place at the Besançon Conducting Competition.

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John Wallace
(Scotland)

John Wallace was born in Fife, Scotland, in 1949 into a brass band family. During his trumpet-playing career he held positions with the London Symphony OrchestraPhilharmonia, and London Sinfonietta, as well as forming The Wallace Collection brass ensemble. He recorded all of the major trumpet solo works and premiered new concertos by Malcolm Arnold, Maxwell Davies, Macmillan, Muldowney, Souster, Schuller and Saxton amongst many others. From 2002-14 he was Principal of the Royal Conservatoire of Scotland, after which he resumed his performing career.  In 2011 he was awarded a CBE for services to Dance, Drama and Music.

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Kris Verhelst
(Belgium)

Kris Verhelst studied organ at the Lemmensinstituut in Leuven with Chris Dubois and harpsichord with Jos Van Immerseel at the Royal Conservatoire in Antwerp. Since then she has made a name for herself at home and abroad  as a soloist and a thoroughbass player.

 

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Laura Vukobratović (Yugoslavia/Germany)

Born in Novi Sad, Yugoslavia, Laura Vukobratović began her training as a trumpeter with Prof. Kovacs Kalman at the conservatory in her hometown. From 1995 to 2001, she was in the master class of Professor Reinhold Friedrich at the Musikhochschule Karlsruhe. At the age of 18, Laura Vukobratović became principal trumpet at the Serbian National Theater in Novi Sad. In 1994, she received a lecturer position at the local Academy of Music. Twice she won the “National Competition of Young Talents” in her home country before being awarded the German DAAD Prize in 1999.

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Leonie Reineke
(Germany)

Leonie Reineke studied musicology and voice at the Folkwang University of the Arts in Essen. She is an editor for new music at Südwestrundfunk and works as a freelance author and presenter for the cultural programs of ARD and Deutschlandradio. One focus of her work is the music of the 20th and 21st centuries.

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Maite Hontelé
(Netherlands)

Maite Hontelé is a Dutch trumpeter specializing in Latin and jazz trumpet. She got in touch with salsa through her father’s record collection.  At the age of 9 Hontelé learned to play the trumpet in the harmony orchestra of the village Haaften. After graduary school in Gorinchem doing exam including music, she studied at the Rotterdam Conservatory of Music.

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Marco Blaauw
(Netherlands/Germany)

Marco Blaauw has an international career as a soloist and is a member of Ensemble Musikfabrik in Cologne, Germany. An important focus of his work is to further develop the instrument and it’s playing technique and to initiate new repertoire.

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Mazen Kerbaj
(Lebanon)

Mazen Kerbajis a Lebanese comics author, visual artist, and musician born in Beirut in 1975. He also works on selective illustration and design projects and has taught at the American University of Beirut. Kerbaj is the author of more than 15 books, and his short stories and drawings have been published in anthologies, newspapers, and magazines. His work has been translated into more than ten languages in various local and international publications.

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Mireia Farrés
(Spain)

Mireia Farrés is a trumpet soloist at the OBC (Orquestra Ciutat de Barcelona) and teacher at ESMUC ( Escuela Superior de Música de Catalunya), this young musician studied at the Conservatori de Música de Manresa where she won the Trumpet Honour Prize and the Chamber Music Honour Prize.

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Peter Evans
(USA)

Peter Evansis a trumpet player and composer based in New York City since 2003.   Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions.  Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music.

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Dr. Peter Holmes
(United Kingdom)

Peter Holmes is a music archaeologist who trained initially as an engineer, serving a five-year engineering apprenticeship at Rolls Royce Ltd, later becoming a Chartered Mechanical Engineer. He went on to get a degree in geophysics before embarking upon a PhD in music archaeology in the 1970s.

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Roman Rindberger
(Austria)

Roman Rindberger studied in Salzburg, Mainz, Basel and Karlsruhe and was a scholarship holder with the Berlin Philharmonic and Zurich Opera. His teachers include Hans Gansch, Reinhold Friedrich, Malte Burba, Tamas Velenczei, Laurent Tinguely, Bill Nulty and Klaus Schuhwerk.
He was trumpet player in the Munich State Opera and solo trumpet player in the Hessian State Opera Wiesbaden. He has been a member of the group Mnozil Brass since 2004.

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Rajesh Mehta
(India, USA, Germany)

Rajesh Mehtawas born in Kolkata, India in 1964 and raised in the USA. He has been working professionally as a musician since 1991 and has been based in Europe (Amsterdam, Berlin, Munich) and Asia (Chennai, Mumbai, Singapore) and currently resides in Duisburg. Mehta is an award-winning trumpet innovator, composer/artist who has innovated several hybrid trumpets including the Drumpet in Amsterdam and the microtonal Naga Phoenix in Singapore.

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Reinhold Friedrich
(Germany)

Since his success at the ARD International Music Competition in 1986 Reinhold Friedrich has been a prolific performer on major stages around the world such as the Musikverein in Vienna, the Concertgebouw Amsterdam and the Berlin Philharmonie. As a soloist, Reinhold Friedrich performes both on modern and historic keyed trumpet with renowned ensembles such as the Bamberger and Wiener Symphoniker, the Orchestre Philharmonique de Radio France, the BBC Symphony Orchestra, the Berliner Barock Solisten and the Cappella Andrea Barca; conducted amongst others by Sir András Schiff, Reinhard Goebel, Sir Neville Marriner, Christopher Hogwood, Semyon Bychkov, Michael Gielen, Adam Fischer and Vladimir Fedossejev.

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Rainer Zipperling
(Germany)

Prof. Rainer Zipperling is one of the best-known cellists and gambists in the field of early music. More than 400 recordings attest to his activity as an accompanist or soloist, whether with John Eliot Gardiner and the “English Baroque Soloists”, the 18th century orchestra conducted by Frans Brüggen, the Ricercar Ensemble, the Mozart Orchestra under Claudio Abbado, the Leonhardt Consort or the Bach Collegium Japan.
In addition to his artistic work, he teaches violoncello, viola da gamba and chamber music at the universities of Cologne and Leuven/Belgium.

 

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Ryan Carniaux
(USA/Germany)

Born in New York City in 1980, Ryan Carniaux studied at Berklee College of Music in Boston with Tiger Okoshi and Greg Hopkins, among others. Carniaux has released six records as a leader or co-leader, and has been featured on over 50 productions as a sideman or special guest. Carniaux tours regularly with European and American musicians, most recently with drummer Bob Moses, the trio Constellations with Mark Egan and Karl Latham, in the Wolfgang Lackerschmid Connection and the Globe Unity Orchestra, among others. Today he lives in Cologne, since 2013 he is professor for trumpet, ensemble, and jazz aural training at the Folkwang University of the Arts.

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Sky Cage Quartet
(Germany)

Rajesh Mehta
(Trumpet)

Georges-Emmanuel-Schneider
(Violin and electronics)

Keith O’Brien
(Electric guitar and electronics)

Chad Popple
(Drums and tabla)

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The Monochrome Project
(Germany)

Inspired by his collaboration with the American composer La Monte Young, Marco Blaauw founded a trumpet ensemble in 2015 to explore the enormous variability of trumpet sounds and playing techniques within the framework of a wide variety of projects and through the development of diverse compositions.

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The Wallace Collection
(Scotland)

The Wallace Collection exists to promote the diverse world of brass music. We aim to inspire, entertain, develop, educate and innovate. Equally at home in the music of our own times as well as in the great heritage of brass music stretching back through history, we are passionate about working with young people, the future of our music.

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Tyler Ho Bynum
(USA)

Taylor Ho Bynum(b. 1975) has spent his career navigating the intersections between structure and improvisation – through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum’s expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation.

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Wadada Leo Smith
(USA)

Wadada Leo Smith was born in Leland, Mississippi, and his musical life began in high school concert and marching bands. At the age of thirteen, he became involved with the Delta Blues and other music traditions. Mr. Smith received his formal musical education from his stepfather Alex “Little Bill” Wallace, composer and guitarist, and one of the pioneers of electric guitar in Delta Blues. He was further educated through the U.S. Military band program at Fort Leonard Wood, Missouri (1963); Sherwood School of Music (1967-69); and Wesleyan University (1975-76).

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